These mixed media prints and drawings are about the landscape of Vancouver.

They are meant to reflect the city's many double lives in both an architectural and an economical sense. Vancouver exists today suspended between neon lights and towers of glass, and its extremes are in a cautious balance and closeness that can be uncomfortable as well as occasionally aesthetic. How does one find beauty in a place that is continually in a state of concrete upheaval and overly manicured perfection? Is it possible to have a sense of place when it can be difficult to mark the land? —Audrey Wang